Place a compressor on the bass channel. Note the compressor must have side chain both available and activated. Set the side chain input to the kick channel or channel of your choice. When the kick plays the compressor will be triggered giving space to the kick. Adjust the threshold, ratio and attack / release settings to taste. 6. Push the filter. Use an analogue-style high-pass filter to remove unwanted sub frequencies from a bass part, then overdrive the filter to create warmth and emphasis around the cutoff point. 7. Break the low-end rules. Following tip 5, mixing experience will teach you when production rules can be broken. In my opinion the kick drum and bass should be the only elements in your mix covering the low-end areas. Make sure to cut the low end from all other elements in your track to avoid them interfering with your kick drum and bass. A golden thumb-rule is to leave the areas below lets say 100-120hz clear. Be sure to have at least 4 hot cues set up. One at the start, 2nd when the vocals kick in, The 3rd when the first break starts and the 4th when the track is near to ending. This is a minimum and will allow you to play around around the length of time it takes to mix in the track and start the first break. 19. Just dropped in. Similarly, you can actually go so far as to replace a few MIDI-triggered bass notes in a phrase with real ones from a recorded bassline. Chop them up and drop them in where they work best, but don’t forget to use short fades at the ends of these notes to avoid clicks. 20. Let’s gate it on. One of the most common ways mixers use this is to duck the bass from the kick drum. You’d load a compressor on the bass track, then set the kick drum as the input signal. So the compressor only works each time the kick drum plays. ‘Ducking’ the bass from the kick with sidechain compression is one of the quickest ways to create space for Enhancing Groove and Impact. Enhancing the groove and impact of your mix involves specific techniques that make your drums and bass work seamlessly together. Syncing the rhythms of drums and bass creates a cohesive foundation. The kick and bass should hit simultaneously, reinforcing the rhythm's power. The sub-bass is usually cut in mono since it's designed to shine on club speakers, which model this sonic experience. EDM music bass tracks run so deep that you'll sometimes feel the lower sounds on the frequency spectrum within your chest. Punchy drums. While EDM songs may use a drum loop or two, the percussion parts are anything but weak. .

drum and bass mixing tips